After leaving UW-Madison in 1990 with a Ph.D. in Geography, Edney
has returned to Science Hall as the new Director of the History
of Cartography Project, an effort on which he worked as a young
graduate student. The Project produces the multi-volume History
of Cartography series, an examination of maps in the context of
the societies that made and used them.
Karl Zimmerer, chair of the Department of Geography at UW-Madison,
said: "The Geography Department is excited to welcome Dr.
Matthew Edney to campus as the new Director of the History of Cartography
project. Matthew is a leading international scholar of the history
of cartography, with a sustained and lengthy track record of involvement
in cartography that makes him extremely well suited as a leader
for its next major phase."
A road leading back
From his office on the 4th floor of Science Hall, Edney spoke
of his deep connections to UW Geography and the History of Cartography
Project, the threads of which go back more than 20 years.
He received his MS in Cartography and his Ph.D. at the UW-Madison
under the late Dr. David Woodward. As one of David's students,
he worked on the initial efforts of the History of Cartography
Project. "I've maintained close connections to the Project
ever since I graduated," says Edney. "In particular,
in 1998, David asked me to be one of the co-editors of the History
of Cartography in the European Enlightenment, Volume 4."
But with four of the six Volumes in progress, the Project Director
post became vacant after Woodward's death in 2004 and needed an
experienced and steady hand for the work ahead. Jude Leimer, managing
editor of the Project, says: "We were extremely fortunate
to hire Matthew Edney as Project Director. Matthew brings to the
Project a deep dedication to the history of cartography, exemplified
by his scholarly contributions over the last fifteen years. His
research on theory, methodology, and recent historiography of map
studies has influenced the structure of the later encyclopedic
volumes of the History. His publication record, research efforts,
and activities in the field make him eminently qualified for the
directorship."
It's the new scholarship emerging from just the first 3 volumes
that makes directing the Project so exciting, said Edney. "Even
though Volume 1 came out in 1987 it is already desperately in need
of revision," stressed Edney, "because so many academic
opportunities have grown from the revelatory ideas of that work."
From London to Science Hall
And such revelations often come from unlikely places. As a 21-year-old
undergraduate, Edney thought he might become a land surveyor. But
while taking courses at University College London, which had a
large land surveying component, Edney discovered historical geography.
"In my last year at London," related Edney, "I
was in Hugh Prince's seminar 'Research Methods in Historical Geography',
a truly amazing course. It was the first time I read Yi-Fu Tuan,
Clarence Glacken, Lucien Febvre—people who are really crucial
to the history of geography. We also read a new book, Period
and Process,
edited by Alan Barker and Mark Billinge, which included a chapter
by J. B. Harley on how historical geographers should model their
evidence. [Harley was a founder of the History of Cartography
Project.] Harley argued that maps can be evidence" on an equal
with landscape and archival sources. "That was the moment
I went, Aha! There's a way to take my interest in historical geography
and land surveying and join them in the history of cartography."
So in 1983, as a new graduate student in Cartography at UW, Edney
found himself working in the newly-funded History of Cartography
Project with David Woodward. Edney says it was the perfect place
at the perfect time. "I took lots of interesting classes in
cartography, math and computing, geography, history of science...In
the process, I was able to work with Jim Burt and learn some assembly
[language] and to work under David Woodward in cartography." From
1983 to 1985, Edney worked as a project assistant on Volume 1 as
the illustrations editor, a position now held by Dana Freiburger.
After leaving Science Hall as a new Ph.D. in 1990, Edney spent
5 years teaching cartography and GIS at SUNY Binghamton, then secured
a teaching position at University of Southern Maine in Portland
as a map historian from which he's currently on leave. "I
have the longest title at the university," laughed Edney, "as
Associate Professor of Geography and Anthropology and American & England
Studies, and Faculty Scholar in the Osher Map Library and Smith
Center for Cartographic Education." At USM, Edney used the
Osher Map Library collection to teach "not just about what
is presented on the maps but about the process of producing the
information for the map."
As for his current workload, Edney leaned back in his chair and
surveyed the growing piles of markups, books, files, and correspondence
that defines a project of this massive scope and intensity. "Volume
3 is well underway, at press being copyedited," said Edney. "Volume
4, which is being edited by myself and Mary Pedley of the University
of Michigan, is on the verge of soliciting invitations to contribute."
Then a change and a challenge
In an important change of direction, in 1999 the format of Volumes
4, 5, and 6 shifted from a chronological format to an encyclopedic
format. It will still have the indexes, says Edney, a thorough
bibliography, and all the same degree of critical apparatus that
one would expect. But the last three volumes will be structured
with smaller entries that are a bit more synthetic. Why the change?
"After 1650, which begins Volume 4, the amount of cartographic
activity increases exponentially," explains Edney. "In
the 19th century, and on to the 20th century, the amount of cartography
figuratively bursts the banks." Yet, at the same time, says
Edney, the amount of academic work written on each cartographic
period steadily falls off. With so many topics to cover but with
comparatively less literature, the encyclopedic format was a better
organizational choice.
The switch was far from simple. Says Edney, "Most of the
work I've been doing for the Project with Mary Pedley on Volume
4 has been to get the same interpretation without becoming bogged
down in details or becoming too generalized to be useful. It's
a fine balance. It's a mid-point between the macro and micro, the
demands of the detail and the empirical evidence with meaningful
synthesis."
From stable base to ephemeral place
The recent historical lens brings other unusual issues for the
Project. Volume 6, covering the 20th century and edited by Mark
Monmonier of Syracuse University, raises fundamental issues such
as those surrounding biographical entries. The volumes are a history
first and foremost, argues Edney, but how do editors decide who
is truly significant and worth including without the benefit of
historical perspective?
All in all, says Edney, these volumes are amazing. Volumes 1,
2, and 3 had a sense of comprehensiveness because the archival
record is so small. "Do you know," he asked, "how
many Greek maps actually survived? One. It was discovered about
3 years ago on a papyrus. It was a map of Spain and a text from
the 1st century AD. Now that's a small corpus of material! But
when we get into the recent centuries, we're working with a record
that is so massive that all you can talk about is patterns, genres,
exemplars."
Furthermore, said Edney, the twentieth century raises issues of
digital data, electronic imagery, databases, and animation-all
cartographic works that combine historical data with transient
presentation. "Take Mark Monmonier's Volume 6," says
Edney. "He's trying to pin down sources for the history of
weather maps, one of the most ephemeral map types with almost no
metadata."
"In a sense," mused Edney, "there's tons of issues
about loss of data, loss of imagery, the ephemeral nature of our
mapping age. Some cartographic collectors want to preserve what
they think is disappearing, like different versions and digital
images. As an historian, I know that that's a futile effort. Computers
are a great tool," Edney argued, "but do we need to have
everything? We have this ideal, this notion, of
universal knowledge with no loss. It's just not possible."
Forward directions
And the future of the History of Cartography Project? Edney offered several potential
directions. Starting with Volume 1, all the new scholarship could
be incorporated into revised editions, which conceivably might
continue for decades. However, Edney says, "for me, the future
of the project is in interpretation-to have a forum for new research
based on this masterwork." Whatever the direction, Jude Leimer,
the Project's managing editor, feels that Matthew Edney's "thoughtful
and insightful view of the role of the series makes him the best
candidate to lead the History of Cartography Project forward."
Article by: Melanie McCalmont,
8 September 2005, Madison, Wisconsin
Dr. Matthew Edney has recently published "The
Origins and Development of J. B. Harley's Cartographic Theories," Monograph
54 in Cartographica Vol. 40, Nos. 1-2 (Spring/Summer 2005). He
authored a feature article in Cartographic Perspectives "Putting
'Cartography' into the History of Cartography: Arthur H. Robinson,
David Woodward, and the Creation of a Discipline," 51 (Spring
2005). Edney is also the author of Mapping an Empire: The Geographical
Construction of British India, 1765-1843 (1997, Chicago) and is
co-editor of Cartography in the European Enlightenment, Volume
4 in the History of Cartography series. Matthew Edney can contacted
at edney@wisc.edu.
About the History of Cartography Project:
The History of Cartography Project produces the multi-volume History
of Cartography series. The volumes are organized by region and
time period and examine maps in the context of the societies that
made and used them. This award-winning series, published by the
University of Chicago Press, was founded by J. B. Harley (1932-1991)
and David Woodward (1942-2004). Its main office is in 470 Science
Hall and is on the web at http://www.geography.wisc.edu/histcart
.